First Draft – Fourth Novel – Feeling Good

floral ceramic cup and saucer above open book
Photo by Ylanite Koppens on Pexels.com

Hello my people! Wow, I’ve really abandoned this blog of late. I could blame, you know, the global pandemic and stuff, but the real reason is that I’ve been saving all my writing for my new book (which I am SUPERDOOPER excited about!!) It’s a slightly different genre, no history or magic, but lots of humour and uplifting themes around relationships and finding your place in the world. Sometimes I wonder if it even matters what genre you write, as most writers tend to return to the same themes, no matter what the plot. And my theme is always that of self-discovery, which I think we’ve all done a lot of over the past few months.

When this all started, I did what I usually tend to do in a crisis – ignore it! I figured it wouldn’t affect my lifestyle because I work from home anyway, so what would be the difference? I tuned out the news and escaped into my book. But after a few weeks, I just hit a wall. It became clear that I wasn’t immune to everything that was going on and it was expecting waaay too much of myself to remain unaffected by it. Anyway, I won’t dwell on it, it’s been weird for everyone, but luckily I had these wonderful characters and their story to return to. But – I don’t know if anyone’s told you this – writing is hard! There’s always that doubt in the back of your mind, “Will I finish this? Will it be good enough?” So, when I typed the words ‘The End’ this week, I felt all the feels! It was emotional, joyous, hopeful and kind of surreal. It was really when I printed it out (I find it easier to run through the second draft on paper) that it hit home – I’ve made another book! My fourth!! It’s something like a little miracle.

La collectionneuse d'histoires

I don’t know where this story will take me – that’s the joy/uncertainty of being a writer. You just never know. My last book has just hit the shelves in France this summer – I never dreamed in a million years that The Story Collector would be translated into French! La Collectionneuse d’Histoires And now I have a French publisher and a translator! It still hasn’t really sunk in. I had a good feeling about that book when I was writing it and I have a good feeling about this one too. It’s got something special – even though it was (like all books) a challenge to capture the ideas in my head on paper, it sort of flowed too. I just had to be present and let the serendipity happen.

Anyway, that’s what I’ve been doing and I can’t wait to get editing and get this story out there!! I want you all to enjoy this story as much as I have enjoyed writing it – giggling at the funny scenes and tearing up at the emotional bits. It’s a journey. And now my brain wants to outline ideas for book five, because if there is one thing I’ve learned it’s that there will never be a better time to do things than right now. Plus, I feel kind of lonely without a work-in-progress, so when one cast of characters move out, another bunch move in! With more interesting stories to tell and challenges to face. I’m fortunate that I can create fictional worlds in order to better understand this one – giving myself and my readers somewhere to escape to. If we didn’t value storytelling before this, we certainly do now. The arts is what has kept us all going – distracting us, consoling us, entertaining us.  So if you’re thinking of writing a story – DO IT NOW! The world needs more stories.

Don’t forget, I have two FREE short stories that you can download now … Betwixt is consistantly in the Top 5 on Amazon and Girl in the Middle is a tongue-in-cheek look at loneliness in the modern world. And if you like those, please buy the other ones/leave a review! x

THE DEFINITIVE SELF-PUBLISHING CHECKLIST ~ For People Who Aren’t Very Organised and are absolute beginners.

The definitive

You just hit publish, right?  That’s what all the articles say.  Any idiot can upload a book in minutes.  And yes, I suppose any idiot can, but it takes a very informed, dedicated, professional and talented individual to upload a book that people will want to read.  A recent Facebook post from a first-time author seeking advice made me realise how long I’ve been doing this self-publishing thang and how I’ve kind of taken for granted that everyone has ‘the knowledge’.  There are so many blogs, articles and how-to books on the subject, and yet authors can still struggle with the basics.  The first author asked what she should be doing in the run up to her launch and another suggested that while there is a lot of information out there, it’s almost overwhelming.  Where do you start?  Where does it end??  So in an effort to share said knowledge, I’m writing a blog with an impossibly long title, which will (hopefully) be filled with all of the essentials, while trying not to bombard you with too much scary stuff.

  1. Make a publishing schedule.  promo-calendar      So you’ve typed those blessed words, THE END and you’re mooching around the Kindle Direct Publishing website wondering where the publish button is.  Whoa there Tex, what’s your rush?  You’ve skipped the bajillion steps between finishing your manuscript and sending it out into the world for people to read.  So roll back your wagon and follow step number one – create a publishing schedule.  In my opinion, you’re going to need at least six months to get everything done before your book goes live, so first things first, DO NOT RUSH.  This is not a race, unless you’re hoping to win a medal for the person least prepared to publish a book.

2. Polish your prose.  Has your book been edited?  Proof-read?  Again, don’t rush out there and get the first editor you find on Fiverr.  There are so many ‘professionals’ who are feeding off the self-publishing industry, so you want to find someone who has a proven track record.  A great place to find all of the professionals you’re going to need is Indie Author Alliance Services Directory.  At the very least, get some Beta readers whose opinions you trust and respect.  It nigh on impossible to view your work objectively, so you need other eyes to see the things you cannot.

3. Hire a designer.  Again, you’re going to need time to find a good cover designer and depending on their work load, you might have to wait a few months in a queue, so best to get in early.  Again, look for examples of their work.  Don’t worry if you are on a budget, there are plenty of websites that offer pre-made covers that are really good value and you simply add your name and title.  The Creative Penn is a great resource for self-publishing and offers a handy list of tried and tested book cover designers.  This is just one list however, there are lots of designers out there and a great way of finding them is finding covers you like and checking out who designed them.

4. The Blurb.  You know, there are two sides to every cover and the back can be just as important as the front.  The blurb.  This is often the last thing authors think about and run up a quick summary in a ‘that’ll do’ kind of approach.  Do not do this.  Think about it, when you’re buying a book online or in a store, the cover is the first thing to catch your eye, but the very next thing you do is turn it over to see what it’s about.  This is your moment to hook the reader.  A few carefully-worded sentences are all that stands between them popping your book in their basket or placing it back on the shelf.  Spend time studying blurbs in your genre, Google ‘blurb writing’ and keep refining what you’ve written until you’re satisfied with it.  It’s not a summary and should be written in the same style as your novel.  As author Susan Kaye Quinn explains on The Bestseller Experiement podcast, ‘a blurb is flash fiction, only you don’t end it‘.  Write a killer blurb, or you’ll only have your shelf to blame (sorry!)

5. Formatting.  Before you can upload your book to Amazon or Smashwords, you’re going to need to format it.  You could pay someone to do this for you, but if I can manage it, I’m pretty sure you can to.  Everything you need to know is in this post by Catherine Ryan Howard  on Writing.ie. It’s pretty old, but I’ve yet to find a more user-friendly, dedicated formatting article that explains things as well as this.

The big question, should you publish a paperback version, is something you need to decide for yourself.  Kindle Direct Publishing have made it easier than ever to do this, and as soon as you upload your eBook files, it asks you if you want to make a print version.  In my opinion, you have nothing to lose but the time it takes to configure your cover (or pay your designer to do this).  My print sales are relatively low, but it’s good to give your readers the option.

6. Pre-order.  You know you can put your book on Amazon for pre-order, meaning that people can see your book before you launch (yay marketing!) and also order it ahead of time.  This will give your sales a bump on launch day and it also means that you can start promoting your book earlier and creating a buzz, while you’re still doing all of the finishing touches behind the scenes.  Confession:  I did not do this.  I was in too much of a rush.  So is this a case of do as I say and not as I do?  Well, yes I suppose it is, but only because I want you to benefit from my mistakes.

7. Reviews.  Reviews (1)If you are a new author, you will most definitely need the help of book reviewers/bloggers to review your book.  Now is the time to start approaching them, as the most popular ones work to very tight schedules that can be booked months in advance.  You’re probably starting to see that six months isn’t very long at all!  But how do you find book bloggers?  Easy, just type #bookbloggers into Twitter or Facebook or any social media platform and follow the links from there. The Indie View also provide an extensive list of bloggers, so if you’re still baffled by blogs, start there.

My best advice is to treat this like your typical manuscript submission process – find bloggers that are interested in your genre and contact them according to their book review policies.  You can get more information on how to approach book bloggers here.  Advance Reader Copies (or ARC’s as they’re known in the business) are essential if you want to have some reviews on your book’s page when you launch, so as soon as you have completed your edits and finalised your cover, start sending these out.  As a self-publisher, I only sent eBooks for review and used the preview file from my Kindle publishing page, so I could send reviewers a .mobi version.

There is also the hugely popular NetGalley where readers can request your book for free.  This is quite an expensive option and it’s difficult to say if you will hit your target audience here (as opposed to approaching reviewers personally), but if you can afford it, it’s definitely a powerful promotional tool.

8. Author platform.  If you haven’t already created an online presence for yourself, now would be a good time to start.  Yes, it can be time-consuming to set up and to maintain, but not only do you need a profile that people can connect with, you also need a profile so you can interact with other people.  The best way to get people interested in you is if you show interest in them.  Blogging is a great way to let people know who you are, what you’re interested in and what you’ve got coming up.  ‘But nobody cares!’ I hear you cry.  Well, you can start driving traffic to your blog from your Twitter account and Facebook.  While there is no way of calculating how much your online activity will result in increased sales, it’s definitely the best way to connect with readers and other people in the industry, which can lead to further opportunities for you and your writing.  If you come from a marketing background, you’ll have heard of The Rule of 7, which basically means that a prospective customer needs to see  your product at least 7 times before deciding to buy, so being active online can only help!

9. Price.  I have never given my book away for free.  Ever.  It’s just not something I would endorse – you might get lots of downloads but chances are that most of those people might never even read your book.  I also subscribe to the wacky notion that people deserve to get paid for their work.  The prevailing wisdom is that £2.99 is the average price for an eBook.  It might not seem like very much, but you get to keep 70% of your royalties.  It’s really up to you to decide what price you want to retail your novel at and the beauty of being a self-publisher means that you can change your pricing and experiment with what works best.

10. Promotion – As with your ARC’s, you need to start booking promo spots as far in advance as possible.  Book bloggers host author interviews and guest posts and there are lots of online eZines where you can submit articles (with links to your new release).  It’s also worth trying traditional media, like local newspapers or radio stations that might be interested in  your story.  As for advertising online – most ad sites require that your book has a minimum number of reviews, so you might have to wait a while for that, but you can run a Facebook ad or a Goodreads giveaway to create some hype around your launch.  (Caveat:  Goodreads giveaways are for print books only.  They are going to introduce an eBook version, but it will not be free, unlike the paperback giveaway).

And now that you have your own platform, why not run a giveaway on your own blog?  Use Rafflecopter, the gold standard for managing giveaways and I promise, it’s easy to set up and use.  If your book is part of Kindle select (which is absolutely worth doing) meaning that your book is sold exclusively on Amazon, you can start preparing your kindle countdown deal which you will be able to run 3 months after you first publish.  At that point, you can make your book available for 99p (while retaining your 70% royalty rate) and give  your sales another boost.

So there you have it, 10 practical ways you can prepare for your book launch.  HOWEVER, if you’re reading this and you’ve scheduled your launch for tomorrow and haven’t done any or all of these steps – fear not!  You have two choices here:  go ahead with your launch and try to do all of these steps in hindsight or just postpone it.  Trust me, unless you’ve done a fantastic job of promoting the launch of  your book online, no-one will even notice.  I remember when I published my debut novel, I sat at home all day, staring at the screen and wondering when the sales figures would start increasing.  Seriously!  That’s what I did.  And  you know what?  Nothing happened!  I had a handful of sales, but to my disappointment, the Internet didn’t stop what it was doing and congratulate me on publishing my book.  Do you have any idea how many books are self-published every day on Amazon?  Someone self-publishes a book every 5 minutes!  The best chance you can give your book is to follow all (or most!) of these preparations ahead of time.

Final piece of advice, try not to get sucked into the marketing vortex to such an extent that you delay starting your next book.  The best way to sell your first book is to write a second.

Best of luck!  You’ve written a novel, now go publish it.

The Art Of Seduction

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There are three types of writers in this world:

  1. Those that drag out the story for so long that you start to lose interest and begin thinking of all the other books you could be sleeping with reading.
  2.  Those that race to the finish – so just when you start to get into it, it’s all over,  leaving you feeling short-changed.
  3. Those that get the balance just right – creating enough tension and complexity to hold our interest until the very end and perhaps leave us wanting more.

Having just completed the NaNoWrimo challenge in November 2015, I now have a wordcount of just over 50,000, which puts me in the 2nd category.  While January is traditionally the time when we are told to shed bulk, I am once again bucking the trends and hoping to pile on pages as I attempt to ‘beef out’ my novel, without adding any lard!  And therein lies the rub; how do you tease out your novel, without affecting the pace or losing the reader’s interest?

We’ve all read a novel where the writer has obviously been told to make the story longer in order to fit some publisher’s guidelines and the story has suffered as a result.  You don’t want to just add length to your novel for the sake of it – you want to draw out the pleasure of letting your story unfold, keeping your reader entertained along the way with various diversions and sleight of hand.  I like using NaNo as a tool to get a rough draft of my story down, but in order to get the readers to fall under my spell, the real art of seduction begins now.

According to Erika Mailman’s article in The Writer, your novel should have somewhere between 6 and 11 threads (based on her research of bestselling novels).

Some beginning novelists create plots that are too straightforward, with all the attention focused on a single pending event in the book. Readers, though, prefer a little more complexity, a story that better mirrors the intricate interweavings of real life.

If you want to increase your thread count, consider some sub-plots for your secondary characters (who can often end up like minions, there to do your bidding).  Give them their own conflicts that ultimately tie in with the overall plot.  Consider your overall themes when introducing new plot threads and if done correctly, your story should feel as rich as Egyptian cotton!

One of the cardinal rules of writing is ‘show, don’t tell’.  See if there are any scenes where you’ve summarized (told) instead of dramatized (shown).  Now is the time to get back in there and write the scene almost like a screenplay.  This is an excellent opportunity to increase the allure of your book to the reader.  Unless you are writing non-fiction, there is no point in describing the action to your readers – you want them to live it and keep them wondering ‘what will happen next?’

Adding characters is another way to add to your word count, but you need to be careful not to overwhelm the reader with random people who don’t have very much to do with the plot.  It might be easier to develop a character who already exists by exploring their relationships and deepening the bond between them and the main characters.  Creating ‘bonding moments’ between characters in your novel can give the reader a chance to breath between scenes and enjoy the natural progression of these relationships.  You could also explore their character traits in more detail, focusing on their unique qualities which eventually tie in to the overall plot.

Fleshing out characters is probably the most important aspect of editing, but fleshing out the descriptions of your settings is equally important.  It’s much easier to fill in these vital pieces of information after the first draft is completed, as you can really take your time and luxuriate in your descriptions of the sights, sounds and smells of your setting.  Just be careful not to overdo it – remember that you’re not writing a travel guide!

Finally, in order to steady the pace of your novel and avoid giving it all away too soon,  you could expand upon your characters’ interior monologue.  Again, this is a clever device that allows the reader a greater insight into your character’s thought process, while keeping the pages turning.

We all want our heroes to win out in the end, but that doesn’t mean we want an easy ride.  We want to be taken to the edge, challenged, surprised and led up the garden path just long enough to make the journey worth while.

 

 

 

 

Editing Tips

So now that I find myself in the rather smug position of having finished the edits on my second novel (picture me in a smoking jacket with a cuban cigar!) I thought I’d share a few simple tips that I’ve learned along the way.

  1. Step away from the manuscript!  The best thing you can do for your manuscript and yourself is to take a break after typing ‘The End’.  How long that break will be is up to you.  For me, I left it alone for about a month.  The reason for this is that when you come back to it, you will see your writing with fresh(er) eyes and be in a much better position to view your work objectively.
  2. Do a full read-through.  After taking a break from your novel, it’s a good idea to read through from start to finish – without correcting or editing at this point.  It will give you a good idea of how well the story flows and if the pace and structure have any weak areas.  Try and come to the work like a potential reader and ask yourself if you are gripped by the plot and the characters.
  3. The nitty-gritty.  Well, there’s no more putting it off.  You have to get in there and start editing proper.  I prefer to print my manuscript and mark mistakes with red pen, using the margins to suggest re-writes and solutions to plot holes.
  4. Alpha and Beta readers.  I used to be extremely protective of my work and hated the thought of anyone reading it before I thought it was perfect.  However, that’s a really dumb idea!  A good alpha reader (i.e. someone whose opinion you respect and trust) can offer you invaluable feedback on your writing.  As Neil Gaiman says: “When people tell you somethings wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.”
  5. Read your work aloud.  I actually got this tip off Joanne Harris (not personally – I would have definitely blogged about that!).  She advises reading your manuscript aloud and I have to say, it really works!  It’s kind of surprising, but it certainly draws your attention to those clunky sentences that just don’t work.  It’s also extremely helpful when it comes to dialogue, highlighting each character’s unique way of speaking.
  6. Take another break.  Hurray!  It sounds like all I do is take time off from writing 🙂  But when you’re deep in the editing process, it’s easy to lose sight of the novel as a whole.  After addressing any issues raised with beta readers, I leave the manuscript for about a week, then I have one last read-through to pick up any remaining issues.

And that’s it people – easy-peesy!  Obviously, hiring an editor would be the ideal situation, but for a lot of authors, the costs can be prohibitive. Perhaps you’ll get a copy edit or a structural edit, but at the end of the day, this is your baby and you have to take responsibility for the end product.  How many times have your read a traditionally published book by a reputable publisher and found mistakes?  Therefore it is vital that you take the editing process as seriously as the writing process itself.  They require two very different approaches; one is all creativity and flowing juices and imagination gone wild, the other is structured, fact-based and slavishly detail oriented.  There is no room for sentiment when editing, which is why it’s probably a good idea to get someone else to do it!  But I believe that by following these steps, you can detach yourself from the work just enough to make the kind of ruthless decisions that will ultimately make your book the best it can be.  If you have picked up any valuable tips during the editing process, please share your insights.

Editing… and the 9 circles of hell!

Okay, so maybe editing isn’t that bad, because there are probably only 3 circles of hell  😉

I’m lucky really, because I’ve just sent off my first draft to my alpha reader (or should I call her my alpha and omega reader!), my sister.  I say I’m lucky because first of all – she’s hugely enthusiastic about reading my work; she read English at University and holds a Bachelor’s Degree and she’s also a writer – in fact she is a poet.  Which is a huge advantage when it comes to having a critical eye on my prose.  But most importantly, I trust her.  Just like I’ve always trusted her to tell me when I’m wearing too much make-up or not enough, I know she will tell me the truth.

But why do we really need alpha or beta readers?  I can read through my manuscript and pick out my own mistakes quite easily.  But there are certain plot holes, no matter how big or small, that can sometimes be difficult to change.  It’s like knitting a jumper and noticing a mistake in the middle.  You can become quite reluctant to unravel all the beautiful stitches you’ve made, just to get back to the ugly one and re-do it.  You know that you’re going to have to go back and fix it at some point, but can often lack the enthusiasm to do so.  Alpha readers can really motivate you to get back in there and start fixing things.  Just talking it out with someone else can reignite your passion and give you the determination to start re-writing.  You both have the same interest at heart – making your book better.

Editing might not be as fun or creative as writing your first draft, but it is necessary and vital to producing a good book – the kind of book in which readers can lose themselves.  Plot holes that jar can really break the spell of a book and readers cannot be fooled by a half-hearted cover up.   Moreover, you don’t want all the hard work you put into writing your novel to be over-shadowed by a loose thread you neglected to remedy.  So if you can find an alpha reader you trust, keep them sweet with lots of flattering blog posts (are you reading this sis?!) and when they spot a hole or a dropped stitch, there’s nothing for it but to get ripping!

(No sweaters were harmed in the making of this post).

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