What’s in a name? Well, that’s easy for Shakespeare to say with a name like that, but when you’re trying to think up new character names for your book, it’s not always that easy. Unless you’re Man Booker winner Anna Burns, in which case you can dispense with names altogether. But for most of us, we like to pick names that somehow embody the character. The right name can bring your character to life and set the tone, but the wrong name can take a reader out of the story, which is a cardinal sin!
One of the most striking names in literature is Heathcliff. It speaks to location and character – perfectly capturing the haunted, wild, untameable, unforgiving landscape, echoing Heathcliff’s volatile persona. I mean, would he really have had the same impact were his name John? Or Pat (considering he was probably Irish – where Emily’s father was born with the less impressive surname of Brunty). There is a power in names – and a history, like lettered breadcrumbs, which lead to the source.
My surname can be traced back to the 10th century, in the Annals of the Four Masters. In Old Gaelic, my name is Ua Gáibhtheacháin (try saying that ten times!), descendant from a fierce warrior. Apparently we were famed for our expeditious and industrious nature – swiftly dispatching enemies, which is basically just another day for me. And if it weren’t for Cromwell, I’d probably be talking to you from the family stronghold in Kilkenny, and I wouldn’t be on the Atlantic coast, constantly moaning about the rain. Damn you Cromwell!!
My maternal grandmother is also from a great clan in Mayo, the O’Malleys. So I am also connected to another chieftain, or the pirate queen as she is known, Grace O’Malley. In Gaelic she is known as Grainuaile, or bald Grainne, which refers to the legend that her father wouldn’t let her go raiding on the ships when she was a girl, in case her long hair got caught in the sails and rigging. So she took a knife to her locks and cut them off, earning her place on the ship. Which is just like the time I bravely cut my hair into a long bob (a ‘lob’). People still speak of that hairdo, to this day.
So, I hate to disagree with the ardent Juliet, but names do have significance and we also assign them with meaning. In The Story Collector, I chose the name Anna for my protagonist because I wanted a name that was traditional, unfussy and strong. I also chose the name Harold, which instantly speaks of someone who is distinctive and hints of a well-to-do background. When writing historical fiction in particular, it’s important that your names fit the era you’re writing in. No Beyonce’s here, I’m afraid.
But how do you decide on a name? Sometimes the name comes first; others, you have a fully outlined character who remains nameless through several drafts. Or worse, their name changes mid-draft – or their gender! It’s almost impossible to get their original name out of your head and this requires extensive proof-reading afterwards. There aren’t any rules to picking names as such, but there are certain guidelines that are worth taking into consideration. Like it’s okay (preferable even) to pick common names, rather than searching for something unusual, as it makes the story more authentic. I recently put down a book after two chapters because I found the character names better suited to a pair of kittens than leads characters. They were so contrived and pretentious, it just put me off the entire thing.
And apparently, us readers are as lazy as they come, because after a few goes at reading the character’s name, when we see it again, we only read the first letter. Hang on, maybe that’s not lazy, maybe it’s highly efficient! So it’s better not to choose names that begin with the same first letter or sound too similar, as it can confuse things unnecessarily, like Marie and Mary.
I remember an old tip that suggested picking names from the phone book, but sadly, the phone book no longer exists, so I find myself googling baby names (which may cause a shock to my nearest and dearest!) or trying my luck ‘Vegas style’ with online name generators. But mostly, I just sit and stare out the window until the right-sounding name comes to me. In my new WIP I have quite a large cast of characters and thankfully, most of them have come with – at least their first names – already intact. I had to search for popular Russian Jewish names (hello Mikhail!) and I’m still trying out names for one of my main characters whose personality I’m really only getting to know with each new chapter, but what is she called? I need something unique but not too unusual. A strong name, but also with a sense of vulnerability. Something lyrical, but not too sweet.
I’m tempted to run a poll, but I have a terrible habit of ignoring other peoples’ advice, so the chances are I will still go with the name I want, even if the overwhelming majority pick something else! It’s a bit like book titles – sometimes you’re completely married to one idea and others it won’t come until the last, desperate minute. Naming things is such a big responsibility. That is the title they will bear for the rest of their lives, so you want to get it right. But for now, maybe A and B will have to do!
Me watching someone have a better launch than me.
I’ve just begun outlining my fourth novel. No-one is more surprised at reading those words than I am! Obviously, I’m still in the honeymoon period, meeting the characters, sussing out locations. There’s nothing like starting back at the beginning to remind you how delicate this process is and how, at one point, writing more than one book seemed like wishful thinking. They say that everyone has a book in them, but the greatest fear of all writers is that one book is the limit. What if that’s all there is?
Evie Gaughan 